Showing posts with label techno. Show all posts
Showing posts with label techno. Show all posts

Monday, December 27, 2010

The reified future

From J. D. Bernal, "The World, the Flesh, and the Devil" (1929):
The whole question is one largely of numbers, and would become entirely so as soon as the quantity and quality of population were controlled by authority. From one point of view the scientists would emerge as a new species and leave humanity behind; from another, humanity - the humanity that counts - might seem to change en bloc, leaving behind in a relatively primitive state those too stupid or too stubborn to change. The latter view suggests another biological analogy: there may not be room for both types in the same world and the old mechanism of extinction will come into play. The better organized beings will be obliged in self-defense to reduce the numbers of the others, until they are no longer seriously inconvenienced by them. If, as we may well suppose, the colonization of space will have taken place or be taking place while these changes are occurring, it may offer a very convenient solution. Mankind - the old mankind - would be left in undisputed possession of the earth, to be regarded by the inhabitants of the celestial spheres with a curious reverence. The world might, in fact, be transformed into a human zoo, a zoo so intelligently managed that its inhabitants are not aware that they are there merely for the purposes of observation and experiment.
That prospect should please both sides: it should satisfy the scientists in their aspirations towards further knowledge and further experience, and the humanists in their looking for the good life on earth. But somehow it fails by the very virtue of its being a possible and probable solutions on the lines of our own knowledge. We do not really expect or want the probable; all, even the least religious, retain in their minds when they think of the future, an idea of the deus ex machina, of some transcendental, superhuman event which will, without their help, bring the universe to perfection or destruction. We want the future to be mysterious and full of supernatural power; and yet these very aspirations, so totally removed from the physical world, have built this material civilization and will go on building it into the future so long as there remains any relation between aspiration and action. But can we count on this? Or, rather, have we not here the criterion which will decide the direction of human development? We are on the point of being able to see the effects of our actions and their probable consequences in the future; we hold the future still timidly, but perceive it for the first time, as a function of our own action. Having seen it, are we to to turn away from something that offends the very nature of our earliest desires, or is the recognition of our new powers sufficient to change those desires into the service of the future which they will have to bring about?
(emphasis added) 

Interesting to note that he classes "[man's] desires and fears, his imaginations and stupidities" under the Devil.

Note too the tight relationship between the notions of "science" and "the future"  (of which the making of both into opaque things is only a facet) -- as expressed here, they're co-dependent.

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Sunday, December 12, 2010

New blog: Paleo-future

"A look into the future that never was" (see Blogs on the right too). Organized by decade, from 1870's to 1990's (the 2000's, presumably, not being that paleo, yet), peaks in the 1960's. Sample, from 1957:

Full Image
DRIVERLESS CAR OF THE FUTURE

The "About Me" entry links to the Wikipedia entry on "Retro-futurism": "... retro-futurism explores the themes of tension between past and future, and between the alienating and empowering effects of technology." More:
Retro-futurism incorporates two overlapping trends which may be summarized as the future as seen from the past and the past as seen from the future.
The first trend, retro-futurism proper, is directly inspired by the imagined future which existed in the minds of writers, artists, and filmmakers in the pre-1960 period who attempted to predict the future, either in serious projections of existing technology (e.g. in magazines like Science and Invention) or in science fiction novels and stories. Such futuristic visions are refurbished and updated for the present, and offer a nostalgic, counterfactual image of what the future might have been, but is not.
The second trend is the inverse of the first: futuristic retro. It starts with the retro appeal of old styles of art, clothing, mores, and then grafts modern or futuristic technologies onto it, creating a mélange of past, present, and future elements. Steampunk, a term applying both to the retrojection of futuristic technology into an alternative Victorian age, and the application of neo-Victorian styles to modern technology, is a highly successful version of this second trend.
In practice, the two trends cannot be sharply distinguished, as they mutually contribute to similar visions.